Which video format is used for video compression? Ans. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. professional. Best file format to use on YouTube. 265. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. Thus CineForm 444(4) would be a more appropriate intermediate and interchange format these days. In the same time Cineform has slightly worse quality at given bitrate. if media is compressed using independent frames, rather than GOPs – for example, ProRes, DNx, Cineform, XDCAM and several others – it is considered optimized and FCP won’t optimize media that. 5) will now natively support ProRes Raw, finally opening up editing of Apple’s Raw video format to all Premiere Pro users. Could there be an alternative as well that doesn't have such massive file sizes as 422 HQ/HQX that is 10-bit so I can keep HDR? There seem to be some interesting alternatives like Cineform which I know nothing about. On the contrary DaVinci Resolve can support MOV with many codecs: MOV Apple ProRes 422, MOV Apple ProRes 4444 XQ 16 bit, Cineform 3D 16 bit, Cineform YUV 10 bit,. The optimised files might then be one-tenth the original size, eliminating performance bottlenecks. Below is the normal. Examples are Cineform, DNxHR or DPX. 264 format. Now is the time for a tea break, stretches or anything to get away from your. In Sequence Settings, set Editing Mode > Custom. 5 slower than realtime. This reference list provides you with a quick and easy way to identify the formats and codecs supported by Blackmagic DaVinci Resolve 18. If you are doing extreme colour grading, fine matte work, etc. Those formats are made to hold up to being re-encoded while being very fast to encode/decode. As a result, ProRes 422 offers even better real-time editing performance. HEVC supports 10-bit depth media, which is required for compressing HDR (High-Dynamic Range media). 9). 0 we’re changing the default preview codec for most new sequences created from media to Apple ProRes 422 LT. By Angelo Lorenzo | Adobe, Apple, Software | 9 Comments. 264/H. But all this not visible for human eye. This includes DNxHD / DNxHR (created by Avid) and H. . Even if it's screen recorded and then saved as ProRes, it's still and end-of-workflow format. Cineform is still very new on the scene, and thus not a lot of tools know what to make of it. I would recommend using Cineform proxies. MXF should work as that is also SONY. ”. HEVC compresses video in a more efficient manner than AVC but with the same level of image quality. 1. H265 1fps Conclusion- there is no clear winner. Step #13. The problem is: it’s frickin MASSIVE. Aug 19, 2022. Good for performance, yet still. Change Video Previews > Preview File Format to: ProRes 422. In most cases, ProRes is a better choice than MPEG for. The DNx family is great, but it offers a lot of options that can quickly get overwhelming for new users. BluRay uses MPEG2 at 50 For ProRes 422 115M is about what you get at 1080p24. mov. Re: h264/265 vs DNxHR LQ proxies in Studio. The one odd thing about this implementation is that there are no controls to set bitrate. I've never seen anything like that out of Media Composer. ProRes 422. Yet another editing compression scheme with similar performance to Apple ProRes and. So the difference in file size and data rate is rather small (this was using. If your video was shot at this size, then you want to upload it in that. Thanks to its high quality, efficient compression, and overall versatility in terms of support for various file types, resolutions, and even RAW, I can see CineForm becoming a mainstay in many post production. 5 slower than realtime. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. Now, there is a (cheap or free) solution to get ProRes out of your PC PP, based on a trick that it hooks into the frameserver PP seems to have. For the highest quality, you’ll be better off converting it to something like Apple’s ProRes 422 codec. ProRes/CineForm/DNxHR caught on because of the platforms which decided to use them. Over time more features have been added, from HD, to 3D, to 4k and beyond. profile <integer>: You can use this option to choose the ProRes profile to encode. Premiere and Resolve since the whole Quicktime issue can now play prores natively in the newer updates. I’ve seen DNxHD/HR be slightly more performant than ProRes, but ProRes is far more user friendly. 264 is one of the worst codecs you can edit. Right now it is not clear what High, Medium and Low mean from the interface itself, which is bad for a variety of reasons. Meaning that all frames are complete data-sets for that frame. Obviously, posting this on a Cineform forum is perhaps going to yield subjective responses, but I'm trying to get to the bottom of how the codecs compare. There’s also no word if the ReelSteady plugin for After Effects will be updated. However, ProRes is optimized for editing and requires the least load on your system during the edit of other potential codecs. That will speed things up a little. If you're downloading a two-hour movie in 720p format, its size may be anywhere between 1. Download. fs454 • 4 yr. So, any video format which supports them is good for video compression. Premiere’s default installation also includes other common workflow. g. Then we have the brand spanking new ProRes 4444 XQ, which has all of the above with this gem: Target data rate of approximately 500 Mbps for 4:4:4 sources at 1920x1080 and 29. Try Cineform or DNxHR. 6 GB and 1. On a Mac I recommend the FTP client app ‘Transmit” by Panic. 265 videos. Render any clips that do not playback well or if they have effects applied to them. . I used Cineform codec for years. HEVC or H. mp4 HEVC 444 10bit/16bit. People will argue about ProRes vs Cineform vs DNxHR as an intermediate mezzanine codec. With this new update, both macOS and Windows. 264 is rather slow) but that's okay. – stib. Cineform is an excellent alternative, but a bit slower on Macs. H. Read below to explore more about this codec and what is unique comparing to other similar codecs like CinemaDNG and ProRes RAW. ProRes is Apple Products, DNx is Avid, Premiere can use any of the three comfortably (it can only read ProRes on Windows) though I think they've started to put their money on Cineform being their default. mov. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. You won't want less than ProRes 422 HQ for final results anyway. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. ) So I think I need to edit it with cineform, DNxHD, or HuffYUV CODEC, but I have a few more questions. Supported OS. Codecs of 2011 - Prores Vs Cineform Vs DNxHD Discussion in 'CineForm Software Showcase' started by Kris Koster, Feb 4, 2011. NOTE: I will be spending a substantial amount of time discussing how to remove flicker using various programs as it is a highly requested topic. Representing the Largest Contribution to Open Source from GoPro to Date . You want a intraframe codec (ProRes, Cineform etc), because then you will be able scrub much faster than using a interframe codec (H264) Simply transcode you footage into a intraframe and you’ll be good to edit with it. easyDCP (3) 2K and 4K DCI, Kakadu formats. Nils Welter Avid DNxHD 175x 10-bit. Speed effects, time remapping, or reversing the clip are definitely in the "complex" category for H. 화질 테스트. So. Hello fellow professionals, Now that Adobe added Cineform option to our export possibilities, I can see how hugely beneficial this can be to PC users, however, I was wondering when working on MAC, having access to exporting Prores. Offers nearly all the benefits of ProRes 422 HQ but at only 66% of the data rate. Cineform was sort of a stop gap for Premiere before wide adoption of DNx and Pro Res. Those formats are made to hold up to being re-encoded while being very fast to encode/decode. Thanks for the link, very intresting, I was leaning towards Cineform, I will do some tests. Software. Extremely marginal, but you can tell on a zoom-in. Indeed, I think we discussed some of the possibilities of why that may be happening. Avid's DNxHD/R is a great codec, as is ProRes, they have "flavors" that are very close to each other. 265 didn't exist. Here’s a good way to explain it. The added benefit is much faster exporting by using smart rendering. MOV (Prores 422/422 HQ/4444) - Popular use with Final Cut X, Premiere and Avid; MOV (GoPro Cineform) - Amazing format primarily used in Adobe Premiere; MOV/MXF (JPEG 2000) - Used with Avid, Premiere and Final Cut X; MOV (Animation) - Used with Avid and Premiere; Most of the mezzanine files above are available in Adobe Premiere, Avid and. Offers nearly all the benefits of ProRes 422 HQ but at only 66% of the data rate. The only issue is the very large file size, but if storage is not a problem, you could hardly do better than Cineform. Its incredibly CPU intensive for a CPU to decode in a video editor. It's lossy and it's size is worse than lossless FFV1. 264 make good proxy codecs (cineform is rather large and h. That should produce an I-Frame only HEVC file. AVC is short for Advanced Video Coding, and the standard was first published in 2003. Go to Sequence > Sequence Settings > Editing Mode: > Custom. These Apple devices can support ProRes playback and editing: Mac with Mac OS X 10. In most cases, ProRes is a better choice than MPEG for. 264? The hard truth is that H. In a proxy workflow, you convert your original camera media to a more edit-friendly codec while you’re working in your NLE. In Premiere 23. Advantages of Apple Prores format as an editing codec. Cineform is an excellent alternative, but a bit slower on Macs. 264 to something else is probably a good thing. This means that they can play back and edit with ProRes just fine, but they are unable to export the results of those edits. ProRes. While AVC is a compressed codec, Final Cut Pro X (unlike Final Cut Pro 7) can edit. MikeVideopunk. 264 didn't have 10-bit implementations and H. These become the new master files from this moment forward. The best practice is to render directly out of After Effects and then encode to your desired format in Media Encoder. CineFormでのレンダー後ファイルもmacは対応していないので。5. There are, however, two good reasons to use HEVC, rather than H. The GoPro CineForm codec can encode pixels in YUV 4:2:2 at 10 bits per channel, or RGBA 4:4:4:4 at 12 bits per channel. . Much like the H. Adobe 2019 - ProRes vs Cineform vs DNxHR - 3부. ProRes official decoder also offers it, but no NLE (except FCP) has this functionality implemented. Developed by. Mezzanine files formats (also known as Intermediate File Formats) are higher quality files that can behave like original camera formats or what’s. Lance Bachelder. 264. 265 is a new standard that all iOS devices use as a default video. Keywords: video formats, gopro cineform vs prores, cineform vs prores, dit report, prores vs cineformThe ARRI Reference Tool allows you to render ALEXA 35 footage using our new ARRI Debayer Algorithm ADA-7 and REVEAL Color Science, but it is also backwards compatible with all ALEXA/AMIRA cameras. MOV comparison table below. Apple ProRes 422 is a high-resolution compression format from Apple. Another Windows alternative to DNx and ProRes is Cineform, which comes in both 10-bit and 16-bit variants. ProRes supports 10-bit color and retains more of the color than H. 264 for possible quality though much bigger in file size. When working exclusively with ProRes in Premiere, it’s a good idea to export to the exact same ProRes profile and then transcode to h. Re: cineform raw vs prores « Reply #1 on: June 10, 2013, 04:59:16 AM » Cineform made patterns in my footage when converted directly, going from for instance AE to cineform is fine tho. DNxHD 115 - Cineform 422 @ 1080 DNxHD 120 - DVCPRO HD, Motion JPEG @ 1080 DNxHD 145 - HDCAM DNxHD 220 - Sony SR Lite DNxHD 440 - Uncompressed 422 10-bit @ 720, Sony SR SQ, HDCAM SR. I am working with 5. What is the Best Video File Export Settings for YouTubeDownscaling and transcoding to ProRes or CineForm at 1080p can convert the RGB 4K data from the GH4’s 4K 100Mbit/s codec to the higher bit depth of 10bit and colour sampling of 4:4:4. Because companies publish their own specifications in different formats, it can be difficult to compare codecs directly. Import clips into Davinci Resolve, and output ProRes proxy files; Do editing work in NLE like FCP or PR software, and then output. On March 30, 2011, the company was acquired by GoPro which in particular wanted to use the 3D film capabilities of the CineForm 444 Codec for its 3D HERO System. Export settings in Resolve: 10bit 422 YUV Cineform highest from Lightworks is Filmscan 1 Cineform standard, more or less equivalent to. 264 is absolutely backwards. 2 update that was posted last night. 1. 265 to ProRes Converter and run it. Q. Quote:ProRes 422HQ 10-bit is "Visually Lossless" but same time 1. If, for some reason, you can't use or don't want to use . Blackmagic Design admits that Blackmagic RAW is one of their biggest announcement yet. WMV: WMV stands for Windows Media Video. Studio for >=4k mj2 – – yes Kakadu. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. 264. 264 GH4 footage to 1080p 10 bit CineForm, since my PC isn't quite beefy enough for online 4k editing. Great image quality, with file sizes 30-35% smaller than ProRes 422 HQ. 2. That said, ProRes (or DNx/Cineform) is superior to MPEG ALL-I for raw editing performance. Below are screenshots of Avid DNxHD 175x 10-bit produced by Adobe Media Encoder for a more fair comparison. Then we have the brand spanking new ProRes 4444 XQ, which has all of the above with this gem: Target data rate of approximately 500 Mbps for 4:4:4 sources at 1920x1080 and 29. 摘要. Another significant advantage of the Blackmagic RAW is the compatibility to multiple OS platforms (Mac, Windows and Linux) contrary to ProRes RAW which is. It's ~175M at HQ, and ~80M in LT. FFmpeg contains two ProRes encoders, the prores-aw and prores-ks encoder. 264 in software running. 7. , Apple ProRes 4444). Para uma visualização ideal, os vídeos H. The bigger the footage (1080p, 120fps) the harder it is for your computer to decode and display. Exporting out of one generation (camera originals) of H. easyDCP (3) RGB and YUV422. These programs will include Premiere Pro, LR Timelapse, Lightroom, After Effects, Photoshop, FCP 7, Quicktime 7, GB Deflicker, CHV Time Collection, ProRes vs CineForm, Photomatrix, GBS Timelapse & more. 264 isn. For the smallest proxies, you could create H264 proxies at a lower resolution. 2K and in 4K, both in Cineform, and then viewed them with GoPro VR 3. You won't want less than ProRes 422 HQ for final results anyway. Meaning that all frames are complete data-sets for that frame. Just got confirmation from Blackmagic that "Least, Low, Medium, High and Best" correspond to "Low, Medium, High, Filmscan, Filmscan 2". Just as you pick different vehicles for different tasks, so, also, you pick codecs because they are best suited for that portion of a project. Adobe After Effects interprets them as 8bit and shows Millions of colors instead of Trillions and unwanted banding appears. While CineForm may have an edge in terms of color depth and image fidelity, ProRes is widely adopted in industries like broadcasting, film production, and professional video editing due to its ease of use and compatibility. You won't want less than ProRes 422 HQ for final results anyway. Is h265 worth the hassle of so much harder decoding? Maybe in case of a recording format yes (as then storage is precious), but later there is about no point using it as intermediate. 4. It uses clever code to compress the raw data and a set of metatags to describe how the raw data is handled (for example ISO and white balance). Everything in the folder is reencoded from 4k h. It will show you the bitrate of. Codec vs. 動画A、Bそれぞれを1920×1080にリサイズして書き出し。 ビットレートの詳細情報をMediaInfo(ソフトウェア)と、ffmpeg -i <inputfile>コマンドで確認。 Because h. As opposed to say the long-GOP (group of pictures) format H. Change the output settings to Quicktime, and select ProRes 422 (HQ) or Cineform (Q4) as your codec. But making a video isn’t the same as writing a blog post. With the future more firmly in mind, ProRes was created (in 2007) as a transcoding codec which balanced post-production needs and image quality, and it later grew into an acquisition and delivery codec. 26 GB. 265, ProRes, Apple Pro Codecs, HEVC) even CineForm which was widely used for years as a cross compatible. works with deep color and alpha. The only thing is ProRes LT is almost the same file size as the original footage, so its not ideal. All of these codecs, including Apple ProRes, work on macOS and Windows 10. In all the tests that I’ve done, Cineform is surprisingly effective at being an easy-to-process codec. 0 in 360 mode. MPEG-PS, . – stib. Common as an editing and delivery format, it is gaining speed as an acquisition format. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. Going directly to the creator of the files provides a much, much better chance of getting files that are good for editing. that offers virtually all the features of Apple ProRes 422 HQ but with a data rate of 66% for even greater multistream, real-time editing performance. Whereas the bit rates for compressed codecs are usually in the double digits, these higher end codecs’ bit rates. 264 is terrible to edit with. ProRes is not a singular thing, though. (h265) - High-efficiency video coding is the successor of Advanced video coding. The DNx family is great, but it offers a lot of options that can quickly get overwhelming for new users. 264 is rather slow) but that's okay. 6 and later; iPad Pro 12. Highlights: read and write AVI, MP4, MOV, MKV. GoPro Cineform. Cant seem to find and reference to VLS player, though I do use VLC player. 视频不见了？. Very confusing, especially when someone could choose "Low" in Resolve and get Cineform Medium, or "Least" and get Cineform Low! BMD Pocket 4K / MacBook Pro 16" (6-core, 32GB RAM. Now the difference between a proxy and an intermediate codec is that a proxy is just used for offline editing because it is small in size and fast (due to low. The best and worse uses for CineformThe Cineform codec is a robust and stunning codec for many things, but proxies aren't one of them. Under presets, select low resolution cineform. • 5 yr. YouTube downscales ProRes files, many of which house 2K, 4K, or 5K video, and spits them out as MP4s. To get better performance in the edit, you need to use an intraframe codec like Prores, Cineform, or DNX. I’ve seen DNxHD/HR be. Alpha Channel support. You’re in very good company if you don’t understand, intuitively, why one type of codec is better than another - and, specifically, why an I Frame-only codec like ProRes or DNxHD is better than a long-GOP one like H. Quality descriptors in Cineform are bit depth and resolution agnostic in both YUV and RGB defined by the wavelet algorithms applied. Studio for >=4k/Dolby P3D65. If you want a different ProRes format, open "Parameter settings" windows and select any option in the "Video Encoder" drop-down list, including ProRes 422, ProRes 422 Proxy, ProRes 422 LT, ProRes 4444 XQ, and ProRes 4444. 264 make good proxy codecs (cineform is rather large and h. 265, where there are only complete or " i-frames " every 9-30 (or even more) frames of media. CineForm Intermediate is a proprietary video codec developed for CineForm Inc by David Taylor, David Newman and Brian Schunck. Thu Mar 30, 2023 6:16 am. ProRes 是一种中间编解码器，这意味着它们用于影片编辑期间，而不是用于实际观看。. Hence it is more efficient to store the information at frame 1, then store only what changed in frame 2. Press OK to save the changes. At some point, power consumption might also be a consideration. O H. For the encoding part it's not too much of a problem (it would be a good addition anyway), youtube accepts ProRes, Cineform and DNxHR (if someone wants the top quality. 264. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. In order for ProRes to match the image quality of h. 264, which is already quite compressed, ProRes 422 most closely matches the original image quality. If you want higher precision (I doubt you ever will) then you have DPX, TIFF and EXRs or 12bit in DNxHR, ProRes and Cineform (intermediate codecs). 0. Translate. 2, MacOS 12. Originally Posted by Cornucopia. Apple ProRes vs. You can also use Proxy or Low-Bitrate HD formats Cineform, Prores and DNxHD as well. Neil. 3, MacOS 12. HEVC itself has a distinct distadvantage against ProRes (and even AVC) when it comes to retaining high-frequency noise and detail, for example film grain, so even at 'equivalent' bitrates it might go either way depending on what you're shooting. Use 1080p proxies then. 6. PhotoJpeg - will render fast and give good quality. 264等面向分发的格式解码更简单。. GoPro CineForm avi RGB 16‑bit Yes Native, YUV 10‑bit, RGB 16‑bit YUV 10 ‑bit mov – Yes Native, YUV 10‑bit, RGB 16‑bit YUV 10‑bit, RGB 16‑bit. Codec facts: DNxHR 444, ProRes 4444 and ProRes 4444 QC are the only codecs with embedded alpha channels. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. 265. You can pick other formats than ProRes. . He then converts it to GoPro Cineform using GoPro Studio for editing in FCP X. In order to transcode the ProRes file to your target codec, you need a tool that supports reading the first and writing the second one. It is not BRAW, but CDNG 3:1 vs ProRes ahem 422 LT on the URSA 4. 6. ProRes is Apple Products, DNx is Avid, Premiere can use any of the three comfortably (it can only read ProRes on Windows) though I think they've started to put. Download for Free. CineForm Intermediate is a proprietary video codec developed for CineForm Inc by David Taylor, David Newman and Brian Schunck. Joined: Thu Feb 07, 2013 5:07 pm. Additionally the CineForm files are loss-less. I bought the Canon R5 a few months ago and have been really enjoying using the camera, but of course I've been working on my proxy workflow because…Adobe 2019 - ProRes vs Cineform vs DNxHR - 3부. isn't it rather unprofessional not to support basic open formats. Sign in with TwitterWith codecs for Windows and Mac, as well as being deemed a SMPTE standard, DNxHD may be a more future-proof alternative to Apple ProRes. 2) 5. Thanks to its high quality, efficient compression, and overall versatility in terms of support for various file types, resolutions, and even RAW, I can see CineForm becoming a mainstay in many post production. Use the Cineform or ProRes proxies. I get 48. Community guidelines. 8. BluRay allows for MPEG-2 at 50M, but most commercial BluRays produced after about 2008 or so used H. The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. This was posted a while ago and I still think there's something seriously wrong with the DNxHD clips. Avoid using it in the edit as much as possible. Since ProRes is in the title of the post, and some discussion about wanting DNG 3:1 I thought I could include my blind test link in this thread. UPDATE: WHY USE HEVC – PART 2. Codec science is unbelievably complicated. Typically I use the following codecs - h. Re-encode the H. Posted on October 22, 2017 by Larry. Hello fellow professionals, Now that Adobe added Cineform. CineForm Images can be stored in 10-bit 4:2:2 YUV, 12-bit 4:4:4 RGBA, or 12-bit RAW formats. 976. Calculate the disk space taken up by over 75 codecs including ProRes, Animation, ARRIRAW, DNxHD, XDCAM and DPX. This will cover about anything, maybe. But you'd really need to do an A/B comparison to notice. Use Shutter rather than Media Encoder for h. So here's an attempt at. Most editors prefer to use Cineform, DNxHD/HR, or ProRes formats for their proxy files in Premiere Pro. There was a significant file size difference,. on some cases it is a good D. Prores vs proresLT on a average-ish desktop editing setup at a variety of workflow stages. ) You can always toggle the proxies off if you need to view the image at full resolution for VFX work or whatever. native CineForm codec. The problem is: it’s frickin MASSIVE. I tested a few clips with DNxHR (after being tossed into Media Encoder) and timeline playback is now flawless. Formats like Apple ProRes, GoPro Cineform, XDCAM, and Avid Dnx are commonly used as “working” codecs in Premiere Pro because they are enhanced to use CPU or GPU and are included with the standard install. ProRes is resolution independent which means it can accommodate any size frame of your choosing. 16-bit TIFF image sequences. When you get into post deciding on full vs. ビットレート比較. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, with excellent multigeneration performance and a mathematically lossless alpha channel of up to 16 bits. There's no need to use these files as proxies. 9 less in size than x264 "Real Lossless" 422 10-bit Yes, if you throw away data you get smaller files. Una de sus grandes bazas es que es la primera cámara con sensor APS-C que permite grabar en 8K con el códec Apple ProRes en tres variantes: ProRes 422 HQ, ProRes 422 y ProRes 422 LT. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. Codec MP4. In. 265, vp9, dnxhd, cineform and prores. 3 and Fusion Studio 17. I used GoPro MAX Exporter to generate three different files: a Cineform, a HEVC and an H264, obtaining these dimensions: Cineform: 3. Obviously, posting this on a Cineform forum is perhaps going to yield subjective responses, but I'm trying to get to the bottom of how the codecs compare. mov master file itself, but rather only when I try to re-encode from that master. CineForm - An open-source video codec created by David Taylor, David Newman, and Brian Schunck. BluRay allows for MPEG-2 at 50M, but most commercial BluRays produced after about 2008 or so used H. Personally don't re-use my previews for export and don't really need the "best of the best" quality when generating previews, so I tend to just use resolution-matching ProRes 422 Proxy as my preview format in most cases. It has a target data rate of approximately 330 Mbps for. When talking about KineRAW in context, it means KineRAW-MINI and KineRAW-S35. Today I wanted to take a practical look at video codecs for storage and archiving types of footage. Is h265 worth the hassle of so much harder decoding? Maybe in case of a recording format yes (as then storage is precious), but later there is about no point using it as intermediate codec. Wildly used in post: higher compression for editing and lower for finishing. The five levels of encoding quality are selected separately from the format, so higher levels of compression are available for 4444 content compared to the limited options available in. 264. So different Prores levels (422 proxy, 422 LT, 422, 422 HQ, 4444) mean the quality/compression levels. 264/H.